Mankind has always been preoccupied with sin and death. In the temple-centric world of ancient Israel, the effects of sin resulted in rupturing the original covenant of creation, allowing chaos to disorder the universe until these bonds could be renewed on the Day of Atonement (Leviticus 16), when the Lord would redeem his people by atoning for their sins. As I noted in an earlier post, The Annual Fall Festival in the Book of Mormon, the Day of Atonement was part of the larger fall enthronement festival that saw the Lord celebrated as king and victor over the monsters Rahab and Leviathan and represented the final day of judgment, when the forces of evil would be bound, the prisoners would go free, and the people and their land would be healed. On this one day every year, the High Priest would set aside his usual ornate clothing to don simple white linen robes of purity, entering beyond the veil of the temple into the Holy of Holies with a bowl that carried the fresh blood of the sacrificial goat that represented Jehovah. The blood represented the sins of collective Israel, and in the darkness the high priest would sprinkle the blood before the mercy seat, covering himself in the process as he interceded for his people's sins. I believe this is the context behind the imagery of robes and blood used so vividly by Book of Mormon prophets such as Jacob and King Benjamin.
Showing posts with label robe. Show all posts
Showing posts with label robe. Show all posts
Monday, June 7, 2010
Monday, May 31, 2010
A Robe of Righteousness: From Adam to Isaiah

Let thy priests be clothed with righteousness; and let thy saints shout for joy. (Psalms 132:9)
The imagery of a robe of righteousness is one of the more powerful symbols of the Atonement in the Book of Mormon. Yet it is only used twice in that text—once by Nephi and once by his brother Jacob.[1] It is a priestly symbol linked to the Day of Atonement ritual (Leviticus 16) likely influenced by Isaiah, yet at least Jacob's usage seems to also evoke imagery associated with Adam.
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